101 Reykjavík is a 1996 novel by Hallgrímur Helgason which found international fame in 2000 when made into a film. Both are set in Reykjavík, Iceland. The film was directed by Baltasar Kormákur and stars Victoria Abril and Hilmir Snær Guðnason. The title is taken from the postal code for down-town Reykjavík, "the old city". The film won nine B-class film awards and received ten nominations most notably winning the Discovery Film Award at the Toronto International Film Festival.
Plot of the film
Geek Hlynur is approaching the grand old age of 30, he still lives with his mother who is divorced from his alcoholic father, downloads cyberporn and wanders around Reykjavík half-heartedly searching for a job while spending lots of time in Kaffibarinn, the central Reykjavík bar (the bar is owned in real life by writer/director Baltasar Kormákur and his soundtrack composer Damon Albarn, a long-standing Icelandophile). The cramped, dark and oddly furnished house in which Hlynur and his mother live features a bath which transfigures into a sofa as Hlynur steps naked out of it, in the middle of the lounge with his mother watching.
Hlynur's isolated world — no small metaphor for his home country — is going along rather blissfully ignorant of the greater joys involved with engaging in life until his mother's friend Lola Milagros arrives to stay at the house for a while. Lola is a Spanish flamenco instructor with a seductive smile, a sultry voice and a carpe-diem attitude. Unknown to Hlynur, she is also in love with his mother, Berglind. An enigmatic character, Lola quickly becomes the center of the household dynamic when, after a night of heavy drinking while mom is away, she and Hlynur sleep together. The fling remains a secret between Hlynur and Lola. (Throughout the film, the song Lola often plays as background music.) As Hlynur gradually learns of their lesbian relationship, he becomes jealous of it, realizing that he was simply a momentary fling for Lola, but he is also the dutiful son who wants to accept his mother's newfound lesbianism and be happy for her. He also has occasional oedipal / incestuous dreams about his mother.
Lola wants Hlynur to get out of the house and find himself something to do because she recognizes from the start that that's what he needs most, but Hlynur prefers to pass the time in a true slacker fashion with plenty of excess and not an iota of effort. He sees no real future for himself, rather an entire life supported by the Icelandic welfare state. "It's a great system." he says. When asked what he does, Hlynur responds with, "Nothing." Pushed further with, "What kind of nothing?" he replies the only way he can: "A nothing kind of nothing." Not even death is a serious topic for Hlynur — intoxicating, out-all-night weekends inspire, "Each weekend I drop dead." He says this while lighting up a Lucky atop a snow-capped mountain, where he lies down as the snow gradually covers him up, but his plans are scuppered by rainfall melting his would-be tomb. His mixed up thoughts include musings about suicide: "The worst thing about AIDS as a method of suicide is that it takes so long to die from it."
On the other hand, Hlynur's fantasy life is alive with passion and glimpses of his subconscious show us a deeply conflicted sense of self. Flashbacks of an alcoholic father mix with sexual fantasies of the lovely Lola but quickly reveal that mom's in bed, too. During a quick trip to the suburbs for a dinner with extended family, Hlynur, so comically disturbed by the mundane family ritual (they actually gather to watch a video of last year's family dinner), imagines a bloodbath scene killing everyone at close range with a shotgun. When brought back to reality, Hlynur's blank slate and effortless personality come back into the fore: "I was thinking what a nice couch you have", he explains to the previously slaughtered family.
Hlynur's confusion over the whole situation is expressed in his rather profound and imaginative musings:
There they are... my mother the lesbian, and my father the boozer. What am I then? The offspring of a lesbian and a boozer? It's like two birds of different species. The lesbian bird and the boozer bird. The boozer is a wetland bird. He's rather heavy... and needs a good run-up to get off the ground. He can fly for a long time and has good stamina. Several weeks may pass by before he gets back on the ground. In between he lies low and goes on the defensive. Especially for the first days after landing. The lesbian. Unlike the boozer... the lesbian is a relative newcomer to Icelandic nature. She is thought to have migrated from Denmark and Britain. Her only contact with the male bird is during conception. In recent years we have witnessed cases of male birds... who are unable to fly at all. The offspring of a boozer and a lesbian is the Hlynur... an unusually slow developer that can't fly... and remains with his mother for the first 30 years. The Hlynur is defensive by nature, but harmless.
The film progresses as Hlynur comes to terms with his mother's love for Lola and his own feelings of inadequacy with her. The announcement that Lola is pregnant pushes him to the brink, making living under the same roof next to impossible for all three, but after a lot of acting out and flippant commentary Hlynur begins to see life little differently. The infant's arrival also symbolically coincides neatly with Hlynur's homecoming to the world outside his bedroom and a newfound contentedness. The strong possibility that he is the father of Lola's child has been a secret between Lola and Hlynur, and this is more than hinted at in the closing scenes of the happy household composed of mother, son, Lola, and Lola's baby who calls him Papa.
Cast
Victoria Abril as Lola
Hilmir Snær Guðnason as Hlynur
Hanna María Karlsdóttir as Berglind
Þrúður Vilhjálmsdóttir as Hófí
Baltasar Kormákur as Þröstur
Ólafur Darri Ólafsson as Marri
Þröstur Leó Gunnarsson as Brúsi
Eyvindur Erlendsson as Hafsteinn
Halldóra Björnsdóttir as Elsa
Hilmar Jonsson as Magnús
Jóhann Sigurðarson as Páll
Edda Heidrún Backman as Páll's wife
Guðmundur Ingi Þorvaldsson as Ellert
Gunnar Eyjólfsson as the neighbor
Jónína Ólafsdóttir as woman at the employment office
Awards and nominations
Awards
Toronto International Film Festival (2000)
Discovery Award - Baltasar Kormákur
Thessaloniki Film Festival (2000)
FIPRESCI Prize - Parallel Sections: Baltasar Kormákur
Lübeck Nordic Film Days (2000)
Prize of the Ecumenical Jury - Baltasar Kormákur
Locarno International Film Festival (2000)
Youth Jury Award - Baltasar Kormákur
Iceland Edda Awards (2000)
Edda Award - Professional Category: Screenwriting: Baltasar Kormákur
Edda Award - Professional Category: Sound: Kjartan Kjartansson
Pula Film Festival (2001)
Big Golden Arena Award - Best Film: Baltasar Kormákur
Tbilisi International Film Festival (2001)
Prize of the Union of Georgian Filmmakers - Baltasar Kormákur
Nominations
Locarno International Film Festival (2000)
Golden Leopard Award - Baltasar Kormákur
European Film Award (2000)
European Discovery of the Year - Baltasar Kormákur
Iceland Edda Awards (2000)
Edda Award - Actor of the Year: Hilmir Snær Guðnason
Edda Award - Actress of the Year: Hanna María Karlsdóttir
Edda Award - Actress of the Year: Victoria Abril
Edda Award - Best Film
Edda Award - Director of the Year: Baltasar Kormákur
Camerimage (2000)
Golden Frog Award - Peter Steuger
Bogotá Film Festival (2001)
Golden Precolumbian Circle Award - Best Film: Baltasar Kormákur
Buenos Aires International Festival of Independent Cinema (2001)
Best Film Award - Baltasar Kormákur
Plot of the film
Geek Hlynur is approaching the grand old age of 30, he still lives with his mother who is divorced from his alcoholic father, downloads cyberporn and wanders around Reykjavík half-heartedly searching for a job while spending lots of time in Kaffibarinn, the central Reykjavík bar (the bar is owned in real life by writer/director Baltasar Kormákur and his soundtrack composer Damon Albarn, a long-standing Icelandophile). The cramped, dark and oddly furnished house in which Hlynur and his mother live features a bath which transfigures into a sofa as Hlynur steps naked out of it, in the middle of the lounge with his mother watching.
Hlynur's isolated world — no small metaphor for his home country — is going along rather blissfully ignorant of the greater joys involved with engaging in life until his mother's friend Lola Milagros arrives to stay at the house for a while. Lola is a Spanish flamenco instructor with a seductive smile, a sultry voice and a carpe-diem attitude. Unknown to Hlynur, she is also in love with his mother, Berglind. An enigmatic character, Lola quickly becomes the center of the household dynamic when, after a night of heavy drinking while mom is away, she and Hlynur sleep together. The fling remains a secret between Hlynur and Lola. (Throughout the film, the song Lola often plays as background music.) As Hlynur gradually learns of their lesbian relationship, he becomes jealous of it, realizing that he was simply a momentary fling for Lola, but he is also the dutiful son who wants to accept his mother's newfound lesbianism and be happy for her. He also has occasional oedipal / incestuous dreams about his mother.
Lola wants Hlynur to get out of the house and find himself something to do because she recognizes from the start that that's what he needs most, but Hlynur prefers to pass the time in a true slacker fashion with plenty of excess and not an iota of effort. He sees no real future for himself, rather an entire life supported by the Icelandic welfare state. "It's a great system." he says. When asked what he does, Hlynur responds with, "Nothing." Pushed further with, "What kind of nothing?" he replies the only way he can: "A nothing kind of nothing." Not even death is a serious topic for Hlynur — intoxicating, out-all-night weekends inspire, "Each weekend I drop dead." He says this while lighting up a Lucky atop a snow-capped mountain, where he lies down as the snow gradually covers him up, but his plans are scuppered by rainfall melting his would-be tomb. His mixed up thoughts include musings about suicide: "The worst thing about AIDS as a method of suicide is that it takes so long to die from it."
On the other hand, Hlynur's fantasy life is alive with passion and glimpses of his subconscious show us a deeply conflicted sense of self. Flashbacks of an alcoholic father mix with sexual fantasies of the lovely Lola but quickly reveal that mom's in bed, too. During a quick trip to the suburbs for a dinner with extended family, Hlynur, so comically disturbed by the mundane family ritual (they actually gather to watch a video of last year's family dinner), imagines a bloodbath scene killing everyone at close range with a shotgun. When brought back to reality, Hlynur's blank slate and effortless personality come back into the fore: "I was thinking what a nice couch you have", he explains to the previously slaughtered family.
Hlynur's confusion over the whole situation is expressed in his rather profound and imaginative musings:
There they are... my mother the lesbian, and my father the boozer. What am I then? The offspring of a lesbian and a boozer? It's like two birds of different species. The lesbian bird and the boozer bird. The boozer is a wetland bird. He's rather heavy... and needs a good run-up to get off the ground. He can fly for a long time and has good stamina. Several weeks may pass by before he gets back on the ground. In between he lies low and goes on the defensive. Especially for the first days after landing. The lesbian. Unlike the boozer... the lesbian is a relative newcomer to Icelandic nature. She is thought to have migrated from Denmark and Britain. Her only contact with the male bird is during conception. In recent years we have witnessed cases of male birds... who are unable to fly at all. The offspring of a boozer and a lesbian is the Hlynur... an unusually slow developer that can't fly... and remains with his mother for the first 30 years. The Hlynur is defensive by nature, but harmless.
The film progresses as Hlynur comes to terms with his mother's love for Lola and his own feelings of inadequacy with her. The announcement that Lola is pregnant pushes him to the brink, making living under the same roof next to impossible for all three, but after a lot of acting out and flippant commentary Hlynur begins to see life little differently. The infant's arrival also symbolically coincides neatly with Hlynur's homecoming to the world outside his bedroom and a newfound contentedness. The strong possibility that he is the father of Lola's child has been a secret between Lola and Hlynur, and this is more than hinted at in the closing scenes of the happy household composed of mother, son, Lola, and Lola's baby who calls him Papa.
Cast
Victoria Abril as Lola
Hilmir Snær Guðnason as Hlynur
Hanna María Karlsdóttir as Berglind
Þrúður Vilhjálmsdóttir as Hófí
Baltasar Kormákur as Þröstur
Ólafur Darri Ólafsson as Marri
Þröstur Leó Gunnarsson as Brúsi
Eyvindur Erlendsson as Hafsteinn
Halldóra Björnsdóttir as Elsa
Hilmar Jonsson as Magnús
Jóhann Sigurðarson as Páll
Edda Heidrún Backman as Páll's wife
Guðmundur Ingi Þorvaldsson as Ellert
Gunnar Eyjólfsson as the neighbor
Jónína Ólafsdóttir as woman at the employment office
Awards and nominations
Awards
Toronto International Film Festival (2000)
Discovery Award - Baltasar Kormákur
Thessaloniki Film Festival (2000)
FIPRESCI Prize - Parallel Sections: Baltasar Kormákur
Lübeck Nordic Film Days (2000)
Prize of the Ecumenical Jury - Baltasar Kormákur
Locarno International Film Festival (2000)
Youth Jury Award - Baltasar Kormákur
Iceland Edda Awards (2000)
Edda Award - Professional Category: Screenwriting: Baltasar Kormákur
Edda Award - Professional Category: Sound: Kjartan Kjartansson
Pula Film Festival (2001)
Big Golden Arena Award - Best Film: Baltasar Kormákur
Tbilisi International Film Festival (2001)
Prize of the Union of Georgian Filmmakers - Baltasar Kormákur
Nominations
Locarno International Film Festival (2000)
Golden Leopard Award - Baltasar Kormákur
European Film Award (2000)
European Discovery of the Year - Baltasar Kormákur
Iceland Edda Awards (2000)
Edda Award - Actor of the Year: Hilmir Snær Guðnason
Edda Award - Actress of the Year: Hanna María Karlsdóttir
Edda Award - Actress of the Year: Victoria Abril
Edda Award - Best Film
Edda Award - Director of the Year: Baltasar Kormákur
Camerimage (2000)
Golden Frog Award - Peter Steuger
Bogotá Film Festival (2001)
Golden Precolumbian Circle Award - Best Film: Baltasar Kormákur
Buenos Aires International Festival of Independent Cinema (2001)
Best Film Award - Baltasar Kormákur
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